SUMMER WARS
September 3rd 2011 04:08
Director: Mamoru Hoshoda
Screenplay by: Sakoto Okudera
Producers: Nozomu Takahashi, Takuya Ito, Takashi Watanabe & Yuichiro Saito
Starring: Michael Sinterniklaas (Kenji Koiso), Brina Palencia (Natsuki Shinohara), Maxey Whitehead (Kazuma Ikezawa), J Michael Tatum (Wabisuke Jinnouchi), Todd Haberkorn (Takashi Sakuma)
Produced by: Madhouse, NTV, Kadokawa Group Publishing Co, D N Dreamparnters, Warner Bros Pictures Japan, YTV & VAP
Released by: Madman Entertainment
Running Time: 114 minutes Rating: PG
The internet; modern marvel, fount of all wisdom or a veritable chain around the necks of the great collective mass of humanity who can afford internet services and connections? Artificial intelligence; a potential boon for all humanity and society in general or the potential genie unleashed from its bottle to wreak all kinds of havoc and chaos on an already fragile world? No doubt you’re sitting there reading this on your computer screen, iPad or iPhone or some other whizz bang techno toy and wondering just what the heck is the Green Lantern waffling on about now. All will become apparent as things progress…
Summer Wars on the surface may be a feel good, slice of life, family values kind of film complete with a yuk yuk ending seem to be the stock in trade of certain western film studios (yes Warner Bros that means you…) but beneath it all there is a darker undercurrent that is running with its more ‘wholesome’ storyline. And this is why I’m harping on about the whole OZ/Internet comparison thing. Within the narrative of the film it is rapidly shown that OZ confers a great deal of benefits not only on Japanese society but that of the surrounding nations, but it is a rather fragile structure as is soon to be demonstrated.
And that leads me to my other point about artificial intelligence a boon or a genie unleashed after years of being stuck in a bottle and feeling decidedly tetchy to put it mildly. So far AI as artificial intelligence is often called is simply a thing of science fiction, no one has to my knowledge actually created a working viable AI system although there are a great many facilities, thinkers, laboratories and no doubt off the cuff geniuses all doing their darnndest to achieve this holy grail of information technology. In Summer Wars this is the main plot device that sees everything go to hell in a hand basket…the black sheep of the Juunoichi family; Wabisuke has managed to create a viable AI called Love Machine and has sold it to…the US Army.
So a major cog in the American military industrial complex now has its own viable working autonomous AI…what do you think they plan to do with this new item in their arsenal? Put it back in the bottle and bury said bottle covered with countless seals of Solomon out in the sands of the Nevada desert? Of course not, like any bunch of guys with a funky new toy they’re going to test it. And what better place to test it than the vast computer network of OZ. All it takes is a simple email sent out across the network and Love Machine manages to get its toe into the network and from that point on from a simple meek little intrusion program it steadily becomes a lethal juggernaut of computer carnage…
And thus the fragility of OZ is laid bare for all to see…it becomes a major struggle to win things back from the maniacal Love Machine, and whilst this struggle is being fought the potential for mass death and destruction in the real world is but a mere heartbeat away. Now you might think that such a thing could never happen in the real world…think again apparently a few years ago in New York computer systems went down, systems that were controlling essential systems such as transport, water and other utilities. Whether this was the result of a cyber attack or a virus is unknown but it demonstrates that perhaps there is far too much reliance on interconnected computer systems and not enough understanding of the risks involved in having such an interdependent infrastructure nor the means to do something if something goes wrong.
Sadly though this particular aspect of Summer Wars is not the aspect that is played up, instead as I remarked earlier it seems as if it’s the hyuk, hyuk, lets pull together as a family feel good shtick that is the focus. Winner of five major awards Summer Wars is a film that hides a potentially more intriguing story behind schlock. A shame really as it could have been a far better flick…certainly there is no doubting that its animation is at the top of the class, there are shots of the landscape and rural countryside that you’d swear were real shots of the Japanese countryside rather than animate scenes. If you’re looking for a feel good yuk yuk flick then this is definitely for you…if like me you were expecting something with a bit more meat to it look elsewhere Summer Wars will not satisfy you…
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